:Video of the Day: dreDDup – Machine
This beast came to realityÂ 4th of June 1997Â in the smallÂ suicide city ofNovi Sad LocatedinSerbia(Europe). Child changed it’s sound rapidly, from butterfly to hungry beasts, from pornographic to art, from culture to insanity. In it’s early years,Â child produced several works of video art., film soundtrack and theatre music. Collaboration with many underground acts and artists also took place in it’s career. It began to feed with first sounds on ‘Abnormal Waltz’ (1998 demo tape). Exploring the dark sides of the human mind the first official work ‘Mr Borndead’s Feast’ (2004) but many commercial segments of sound experimentation destroyed the beauty of original songs, all because child was hungry for sex.Â This work talked about the past and the bloody feast of the close minded. 2004′s it began to walk continuingÂ to expandÂ andÂ redefineÂ it’s sound and purpose. A substantialÂ increase in live performances – once anÂ Â unheardÂ of rarity – has lead toÂ much greaterÂ Â recognition by aÂ new generation of fans. Child was ready to eat your souls and fuck your whores. In 2005,Â HollandÂ music labelÂ MoocSound Records , releasedÂ ‘Mr Borndead’sÂ Feast’Â inÂ digipack format. Child began to scream.
Next work came in augustÂ 16th.Â 2007 – ‘Future Porn Machine’. This new work sounded more darker and more industrial rock than the previous one leaving the production rough. The main concept was the pornographic future, where art = pornography = art where machines are replaced by humans. “Insurrection Records”Â fromÂ BelgradeÂ recognized itÂ andÂ released it. The whole idea now went to the crossover sound. Child changed it’s taste to ‘inner massacre’. In 2008, it was included in much of the foreign music compilations. Child began to fuck hard.
Third work ‘El Conquistadors’ was finished in late 2008. ThisÂ was meant to be totallyÂ different fromÂ the previous works. New taste followedÂ more post-industrial and less melodies, including some very dark whispers and new insanity in live performance. It’s concept was to bring the old sound from the 80′s back to life. This work was the last one in time trilogy talking about the present tense and human inner boundaries. It was officially released inSerbiafor Insurrection Records on March the 6th in 2009. The reviews lifted it to 2nd place of “Balkan albums of 2009″ in Croatian music magazine Terapija and 3rd place of “must-have”Â in Macedonian “Okno” music magazine. Child began to kill.
In 2010 child re-mastered and re-released it’s third work forÂ industrial music label ‘Beast of Prey’ from Poland. Next work came out in February 2011 – ‘dreDDup’ was released. This 4th work came out as a surprise to the audience as the sound changed rapidly. This new taste was labeled “personal horror diary” from one of the press critics. “One of the new 10 best industrial rock albums for 2011″ -Â was also stated in the press. This work defines the darker side of the child’s taste and goes beyond El Conquistadors. It was a complete abandonment of genres and this is now pure fucking insanity. Child fell asleep.
Completely new work is re-recording of Mr.Borndead’s Feast from scratch zero and preparing the 5th album entitled ‘Nautilus’.